Still Life Interruptus

Still Life Interruptus

10" x 14" watercolor on Arches 140 lb. cold pressed paper

The second painting in the 'Still Life Interruptus' series

A couple of weeks ago I thought it would be fun to try and paint some vegetables. By themself. In a still life. My son (the two year old above), however, had other ideas.

I had them all set up on the table right in the perfect spot of sunshine. Then my other son, who was getting ready to go to kindergarten and couldn't find his backpack, called for me. So, I left those poor defenseless tomatoes all alone on the table and went to track down a Spiderman backpack.

Now I guess I miscalculated the appeal of tomatoes left unattended because when I came back I found them with little bites taken out of them, one still in the culprit's hands, with tomato juice dripping down his chin.

I stood there with my hands on my hips, surveying the carnage and trying not to laugh when he looked up at me and said, "Not an apple."

Then went back to eating the tomato.

Final score: The two year old still life interruptus, fruit and vegetable snacker-2 

Mom-0

I don't think I'm meant to be a still life artist. But I can't complain, this painting was a lot more fun and interesting than what I had planned. :)

June 8 edit: I love the spontaneous feel of this painting so I'm going to have a new series of paintings called, yup, you guessed it, 'Still Life Interruptus' of which this painting is the second. Here is the post for the first painting 'Please?'

A note about the painting process for 'Still Life Interruptus': When Alvaro Castagnet came to the Utah Watercolor Society demo last month he said something that really stuck with me. He talked about how watercolorists have one chance to gain the attention of the big galleries. One chance against the 'king' of media, oils. Paint with passion, be bold, take risks, strive for mood, ambience, grit. The unexpected.

I pushed myself further with this painting than I usually do, although I don't think it was intentional. I wasn't thinking of Alvaro's words at the time I painted it, but remembered them when I was finished.

This painting came from my own intuition, rather than a set of rules to follow, or any acedemic knowledge of 'how one should paint'.  

I exaggerated colors and lighting. Pushing them further with each glaze. A couple of times I set the painting across the room, stepped back and looked at it, and felt sure that I ruined it. Then decided to try one more thing, which worked (Huzzah!), and made it into the painting I'd been envisioning the whole time.

Sometimes we need to just go with our gut. Trust our intuition. Paint what we feel, with passion and boldness. Rules be danged. :)

A Reason to Pout and three pictures of pure AWESOMENESS

"A Reason to Pout" acrylic on gessobord, 8" x 10"

The Work of Childhood series #2

Lately I've been feeling very drawn to acrylics. I don't know why. It's not because it comes easily, because it doesn't. It's not familiar and comforting like my watercolors, or soothingly meditative like my colored pencils. It's unpredictable and challenging. Maybe that's the appeal. I love a good challenge.

I really like this painting. I like the colors in his face and I like seeing the brushstrokes. And those pouty lips. :)

But. . . I kind of feel like a traitor for liking these acrylic paintings so much. I feel like I should not enjoy painting with them as much as I do, because they're not watercolors and that's sort of what people expect from me.

But they are fun, different, new. And sometimes that's just what I need. And it's not like I'm giving up on watercolors. Not at all. It's just nice to try something else for a change you know?

Now, onto pictures of AWESOMENESS.

The other day the Utah Watercolor Society hosted a demonstration given by one of my favorite artists ever.

Can you guess who it is? (If you follow my Facebook fan page you probably already know)

That's right! Alvaro Castagnet!! Can you even believe how awesome that was? Seriously, I felt like I was meeting a rock star. I may have stuttered when I asked if I could have a picture with him. I was a little bit fangirl. . . ok, ok I was a lot bit fangirl.

It was incredible to watch him paint, he's so confident and passionate that it was infectious. It made me want to run for my brushes. And hearing him speak about painting with passion, and being bold, holding nothing back, going for major impact was so cool. 

He was funny, and warm, and just plain AWESOME. 

I wish you could have been there. :)

And then last week I got to meet one of my favorite authors of all time!

Photo by Jenny Martinez Photography

Sarah Dessen! I have loved her books for years, read all of them, own most of them, and she is a major source of inspiration for my writing. I just love her. Her book "The Truth About Forever" is coming with me if ever I get stranded on a desert island. It's one of my top five favorite books of all time. (Which is saying a lot considering my list of favorite books is about five miles long)

And she was so nice and humble and just truly genuine. I think she and I could be friends if we were neighbors. :)

And yes, once again I was a fan girl of epic proportions. I just couldn't help it. I mean this is the Dessen we're talking about! She is incredibly AWESOME!

It was so cool. :D

It's inspiring to be around creative people who want to share and help other creative people. It's just one of my favorite things in the whole world.

See you next week everybody!

P.S.

Dear Alvaro,

I hope you will forgive me for posting this photo of you with your eyes closed, but I simply had to. For the sake of AWESOMENESS. I hope you understand. :)

Sincerely,

your most devoted fan girl,

Crystal Cook

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